Simon Theuma, “Dreamtime.” Underwater 1st Place. “Like an intricate tapestry of the marine ecosystem, this image captures the relationship between a commensal shrimp and a mosaic sea star. Dreamtime Aboriginal art reminds us of the delicate balance that exists in the grand tapestry of our natural world—this ancient wisdom serves as an important reminder to preserve what we have. To capture this image, I needed to use a snooted strobe, which was set at an acute angle to the subject. This setup accentuated the depth and beautiful texture of the two organisms. Additionally, I enhanced magnification by using a +15 wet lens dioptre.”
The contest received nearly 12,000 entries from 67 countries, highlighting diverse subjects from insects to underwater scenes.
Csaba Daróczi won the overall competition with a unique black-and-white image of a bird in flight.
The competition encourages photographers to explore and capture the unseen marvels of nature, using innovative techniques and perspectives.
Have you ever peered closely at the world through a magnifying glass? It’s like stepping into a hidden universe, one that’s bustling with life and color, yet often overlooked. This is the world that macro photographers like Yuan Minghui, Manfred Auer, and Csaba Daróczi, among others, immerse themselves in. Their canvas? The minuscule, the overlooked, and the breathtakingly beautiful facets of nature.
An Artistic Ode to the Minuscule
I’ll never forget my initial encounter with macro photography. It felt akin to unlocking a magical realm where diminutive beings took center stage, and each water droplet glistened as if it were a precious gem. This year’s Close-up Photographer of the Year contest truly brought this magical realm into the limelight, displaying an astonishing array of nearly 12,000 entries from photographers across 67 countries.
Imagine, if you will, Yuan Minghui’s work. After a rainstorm, a shield bug clings to the decayed leaves in the mud. Minghui likens it to a flower that has fallen to the ground, a bright emotion amidst the dark rainforest. This juxtaposition, of life and decay, of vibrancy and the ephemeral, is a theme that resonates throughout the competition.
The Winners: Capturing the Unseen
Csaba Daróczi’s winning black-and-white photograph is a masterpiece of perspective and timing. Picture this: a bird in flight, captured from inside a hollow tree stump. It’s a frame that merges the rawness of the forest with the elegance of wildlife.
And then there’s Manfred Auer’s portrayal of an orange isopod, a creature most would stride past without a second glance. Through his lens, this isopod becomes a protagonist in its own right, a marvel of nature’s design.
The Spectrum of Nature’s Palette
The competition isn’t just about animals. Barry Webb’s slime mold, Mirko Scortichini‘s cluster of blue butterflies, Laura Storm‘s ghost goby over pink coral – these images, take you on a journey. A journey where colors burst forth, where life exists in myriad forms, each more fascinating than the last. A Reflection on Nature’s Fragility
As I delve deeper into these images, I’m struck by a profound sense of responsibility. Simon Theuma’s “Dreamtime”, for instance, reminds us of the delicate balance in our natural world. It’s a call to preserve, to cherish, and to coexist.
Final Thoughts: The Lens as a Storyteller
In wrapping up, the Close-up Photographer of the Year contest transcends the boundaries of a mere talent exhibition. It weaves a compelling narrative, a tapestry of visual stories that beckon us to peer deeper into our world, to cherish its nuances, and to walk gently upon this planet we share. This contest serves as a poignant reminder that beauty is often nestled in the smallest of details, waiting to be discovered in the most unexpected places.