Revitalizing a Historic Landmark
Perched along the iconic Sant’Ercolano staircase in Perugia, the Edicola 518 kiosk, now renowned in the local cultural kiosk scene, has been dramatically transformed by renowned Italian designer Giuseppe Arezzi. This innovative project, part of the Laboratorio di Creatività Contemporanea initiative backed by the Italian Ministry of Culture, has turned a previously commercial newsstand into a dynamic cultural and reading hub. The site, reopening on June 1st, 2026, now serves as a community-centric venue, celebrating its decade-long presence.
For another transformative project, Prada’s expansion in Milan showcases how heritage sites can evolve into modern cultural spaces.

A Striking Architectural Reconfiguration at the Italian Designer Project
Giuseppe Arezzi, a multidisciplinary designer, retained the kiosk’s original exterior while introducing a bold monochromatic red finish that contrasts sharply with the surrounding stone structures. Inside, he replaced the typical vendor counter with a stepped, multifunctional furniture installation crafted from lacquered oak. This design cleverly conceals technical elements and offers integrated seating. Central to this wooden structure is a stainless-steel fountain, providing free drinking water to passersby. The renowned kiosk has become a focal point for modern design enthusiasts.

Innovative Features for Public Engagement
The re-engineered window frames now act as external display racks for independent magazines and art books, strengthening the position of the local cultural kiosk as a vibrant cultural hub. An expanded exterior platform ensures the seating area remains open beyond business hours, seamlessly integrating the kiosk into the public space. Additionally, the project features “Ambo,” a unique 20-centimeter modular stool-bookstand. Created in partnership with the Seed Festival, these elements serve both as portable seating and display surfaces, adapting to the varying terrain of the stepped location.
‘Observing the location of the Sant’Ercolano staircase, I wanted to preserve the daily ritual that historically belongs to the newsstand,’ Arezzi reflects. ‘While people once stopped to purchase information, today they pause to process it through rest and reading. I interpreted the kiosk not merely as micro-architecture, but as a versatile, spatial piece of furniture, where every technical element is conceived to foster interaction and the free enjoyment of public space.’ The historic landmark thus continues the tradition of being a place of community engagement.
A similar blend of history and modern design is found in the Pirate Mansion renovation which celebrates stainless steel and legacy charm.


















Source: designboom.com
Frequently asked questions
How has the kiosk been transformed?
Giuseppe Arezzi transformed the Edicola 518 kiosk by retaining its original exterior and introducing a bold monochromatic red finish. Inside, he installed a multifunctional furniture crafted from lacquered oak, concealing technical elements and providing integrated seating. A stainless-steel fountain was added for free drinking water.
What innovative features does the redesigned kiosk have?
The re-engineered window frames act as external display racks for magazines and art books. It includes ‘Ambo,’ a 20-centimeter modular stool-bookstand created with the Seed Festival, used as seating and display surfaces. The exterior platform design keeps the seating area accessible beyond business hours, integrating it into the public space.
What is the purpose of the new design?
Giuseppe Arezzi’s design aims to preserve the newsstand’s daily ritual by transforming it into a space for rest and reading. He sees the kiosk as a versatile, spatial piece of furniture that fosters interaction and the free enjoyment of public space, continuing the tradition of community engagement.
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