Antique bust with mixed media, part of Hew Locke's Flotilla, highlighting colonial legacies.

Hew Locke’s Flotilla and Gilded Busts Confront Colonial Legacies at P·P·O·W Gallery

User avatar placeholder
Written by Sam Johnson

2026-09-16

Among Hew Locke‘s thought-provoking works, “Hew Locke’s Flotilla” highlights his focus extending beyond the confines of specific locations, delving into the vast influences of empire. His exhibition at P·P·O·W Gallery, titled The Wanderers, examines these themes through an intricate array of art forms.

The Symbolism of the Fleet

Central to Locke’s exhibition is a striking fleet of miniature ships that dangle from the gallery’s ceiling. This assembly, part of the collection, includes everything from agile fishing vessels to the imposing galleons reminiscent of the 16th century. Each ship is uniquely adorned, sporting vivid colors and tiny pennants, pointing to both historical trade routes and the darker nuances of exploitation. They collectively navigate an uncertain destiny, symbolizing the enduring impact of their storied pasts.

Additionally, Locke introduces viewers to his luxurious busts crafted from Parian ware, a 19th-century porcelain designed to mimic marble. These sculptures are embellished with a luxuriant array of baubles depicting iconic figures such as Queen Victoria and George Washington. Towering and grandiose, these figures remind viewers of past power dynamics, intertwined with shiny artifice. Embedded skeletons serve as stark memento mori, hinting at an inescapable history, as Locke conveys: these figures are “weighed down by the literal burden of history.”

Locke’s work engages with themes of empire and power; similarly, explore Victor Quiñonez’s “I.C.E. Scream” series for its political critique through art.

The exhibition, including the impactful display of the armada, lingers in New York until October 24, inviting contemplation on historical and present-day narratives. For further exploration, viewers are drawn to Locke’s updates on Instagram.

Gallery installation view of 'The Wanderers' with various sculptures and artworks.
Installation view of ‘The Wanderers’ at P·P·O·W. Photo by Ian Edquist
Watercolor and pencil depiction of architectural design with intricate details.
“Spirit House 9” (2026), watercolor and pencil on paper, 25 1/2 x 30 1/8 inches
Antique Parian ware bust adorned with mixed media, reflecting colonial themes.
“Souvenir 27 (Alexandra)” (2025), mixed media on antique Parian ware, 20 5/8 x 15 3/4 x 9 7/8 inches. Photo by Damian Griffiths
Complex sculpture composed of plywood, metals, and fiberglass in diverse forms.
“Foreign Exchange 3” (2026), plywood, tin, zinc, brass, copper alloys, jesmonite, plastic, synthetic fabric, acrylic paint, resin, fiberglass, enamel paint, acrylic medium, 33 1/2 x 21 5/8 x 20 7/8 inches
Artistic illustration on paper with watercolor and pencil elements.
“Spirit House 10” (2026), watercolor and pencil on paper, 25 3/8 x 30 1/8 inches
View of 'The Wanderers' exhibition at a gallery with detailed artwork displays.
Installation view of ‘The Wanderers’ at P·P·O·W. Photo by Ian Edquist

Source: thisiscolossal.com

Frequently asked questions

What is the focal point of Hew Locke’s exhibition?

Central to Locke’s exhibition is a striking fleet of miniature ships that dangle from the gallery’s ceiling. This assembly includes everything from agile fishing vessels to imposing galleons, all uniquely adorned to symbolize historical trade routes and exploitation.

What materials are used in Locke’s busts?

Locke’s busts are crafted from Parian ware, a 19th-century porcelain designed to mimic marble. These sculptures are embellished with a luxuriant array of baubles representing iconic figures.

When does Locke’s exhibition at P·P·O·W Gallery end?

The exhibition, including the impactful display of the armada, lingers in New York until October 24.