Intricate carnival scene woven with vibrant commercial yarn by Linda Nez.

Monumental Craftsmanship: A Journey Through State Fairs at the Renwick Gallery

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Written by Seth Sebastian

2026-06-19

The American tradition of state fairs dates back to 1841 in Syracuse, New York. These cultural events have since blossomed across the nation, with some of the largest, like those in Minnesota and Iowa, becoming staples of the agricultural heartlands. Their enduring appeal lies not just in the spectacle but in a deep-rooted celebration of community and craft.

Celebrating Craftsmanship at the Renwick Gallery

The Smithsonian American Art Museum’s Renwick Gallery is hosting “State Fairs: Growing American Craft,” an exhibition that delves into this rich tradition. Visitors can explore a world where butter sculpting and seed art come alive, showcasing the intersection of agriculture, ingenuity, and creativity.

Discover how the DUDD LITE artists transform household items into captivating art, echoing the creativity seen at the Renwick Gallery.

Seed Art from the Heartland

The Minnesota State Fair is renowned for its seed art—tableaux crafted from local grains and seeds. These artworks include everything from famous paintings to beloved celebrity portraits. Artists must attach a “legend card” to each piece, illustrating their chosen seeds.

This exhibition features over 240 pieces, including modern jewelry and historic quilts. A stunning resin necklace by artist Morgan Hill captures the essence of state fair indulgence, while Agueda Martínez’s weaving epitomizes the mastery of Southwest tapestry.

Explore how Ava Roth melds ceramics and bee-made honeycomb to create art that celebrates natural materials akin to seed art techniques.

A Diverse Showcase

Growing American Craft, the very first comprehensive survey of its kind, casts a spotlight on creations from 43 states and Tribal Nations. The exhibition aims to showcase the pride and resilience of rural artisans, dispelling stereotypes with vibrant displays like Rod Zeitler’s pyramid of over 700 preserved food jars.

Lifelike braided sculpture of Dolly Parton by Linda Paulsen, realistic depiction.
Linda Paulsen, “Dolly Parton” (2007). Courtesy of the artist and John Colton

Basketry and Beyond

Crops take center stage in many featured pieces, such as a sweetgrass basket by Corey Alston, rooted in Gullah Geechee traditions. Elsewhere, Justin Favela transforms the Rubenstein Grand Salon into “Capilla de Maiz (Maize Chapel),” celebrating maize’s historical significance with gold-fringed walls and piñata corncobs.

The exhibition continues through September 7 in Washington, D.C. A beautifully curated catalogue is available for purchase on Bookshop.

Close-up details of Dolly Parton sculpture highlighting hairstyle craftsmanship.
Linda Paulsen, “Dolly Parton” (detail)
Traditional woven cotton cloth by Agueda Martínez showing simple geometric patterns.
Agueda Martínez, woven cotton cloth on cotton yarn warp (1994). Collection of the Smithsonian American Art Museum
Grace Snyder’s quilt showcasing flower basket design with delicate petit point.
Grace Snyder, “Flower Basket Petit Point quilt” (1942-1943), cotton. Courtesy of Nebraska History Museum
Basket crafted from sweetgrass by Corey Alston, blending traditional and modern styles.
Corey Alston, “From Traditional to Contemporary” (2021), sweetgrass. Collection of the Smithsonian American Art Museum, gift of Carolyn L. Mazloomi
Peggie L. Hartwell’s quilt depicting a tribute scene with vibrant fabrics.
Peggie L. Hartwell, “Ode to William and Annie Tyler” (2022), cotton fabric, batting, and thread. Courtesy ofMcKissick Museum, University of South Carolina
Clay sculpture of a John Deere tractor, colorfully painted, by Margarita Cabrera.
Margarita Cabrera, “Arbol de la Vida–John Deere Tractor Model #790” (2007), clay, slip paint, latex acrylic and metal hardware
Ornate sculpture ‘Smorgasbord’ made from diverse materials including holly and silver.
Morgan Hill, “Smorgasbord” (2024), holly, resin, silk thread, paint, steel, and sterling silver
Wide view of Justin Favela’s paper art installation, maize-themed altar.
Installation view of ‘Justin Favela: Capilla de Maíz (Maize Chapel)’ (2025), Renwick Gallery of the Smithsonian American Art Museum. Photo by Albert Ting
Display of seeds and flower petals creating fair-themed artwork by Liz Schreiber.
Liz Schreiber, “State Fairs: Growing American Craft” (2024-2025), various seeds and flower petals

Sources & Links

Source: thisiscolossal.com