Reconstructing Memory through Art: Wangari Mathenge Art Exhibition in New York
In “Re-membering,” Wangari Mathenge transforms the past into an active exploration of identity and memory. Hosted at Lévy Gorvy Dayan in New York until October 24, 2026, the exhibition presents five new paintings and Mathenge’s inaugural sculptures. This showcase expands on work she initiated in 2024, engaging deeply with Kenyan colonial history.
The Exhibition: A Rich Tapestry of History and Culture
One piece, “Re-membering XIII (May the Wind Be Always at Your Back),” situates figures in a complex domestic setting, filled with objects and cultural symbols. Inspired by Ngũgĩ wa Thiong’o’s “Something Torn and New: An African Renaissance,” Mathenge researched Kenyan colonial literature and cultural artifacts from 1900 to 1963, questioning the construction of history and identity. This display uniquely showcases how art can engage with deeply historical contexts, enriching the viewer’s understanding of both art and history.
Mathenge states, “Re-membering signifies not just remembering, but actively reconstructing cultural memory, inherited forms, and history.” This sentiment is echoed throughout the exhibition, where each piece challenges and redefines historical narratives.
To explore more themes of heritage transformation, Sipho Mabona’s gourd transformations offer profound insights into personal and cultural identity.
Expanding Beyond Canvas
This reconstruction extends into two new sculptures. “Re-membering VIII (Before Us, After Us, Ever Changing)” features a hand-carved doorframe from Malindi, Kenya, paired with an embellished macramé textile. Reflecting Lamu Old Town’s doors, the piece symbolizes an ever-changing landscape, representing the lineage of Kenyan art.
“Re-membering IX (The Shape of Inheritance)” uses a dress form to reinterpret Gikuyu dress, integrating Victorian influences. Created with community involvement, the sculpture illustrates how cultural forms evolve and retain relevance, further enhancing the overall impact of the event.
Exploring Identity through Domestic Spaces
Mathenge’s work challenges traditional views by repurposing history as a tool for creativity. Domestic scenes and landscapes serve as sites for cultural reconstruction, asking what can be preserved and what must adapt. Throughout the exhibition, attendees are invited to explore these themes deeply.
If Mathenge’s architectural inspirations intrigue you, Stone-Carved Sanctuaries on Serifos Island melds tradition with modern design.
Wangari Mathenge: Re-membering is on display at Lévy Gorvy Dayan, located at 19 E. 64th St. in New York City. Don’t miss this opportunity to experience her visionary work at the showcase.
Source: design-milk.com
Frequently asked questions
When is Wangari Mathenge’s exhibition in New York ending?
Wangari Mathenge’s exhibition ‘Re-membering’ is hosted at Lévy Gorvy Dayan in New York until October 24, 2026.
What themes are explored in Mathenge’s exhibition?
Mathenge’s exhibition explores themes of identity, memory, and cultural reconstruction, engaging deeply with Kenyan colonial history and domestic spaces as sites for cultural transformation.
What materials are used in Mathenge’s sculptures?
Mathenge’s sculptures incorporate materials like a hand-carved doorframe from Malindi, Kenya, and embellished macramé textiles, as well as elements reflecting Gikuyu and Victorian dress forms.