Detail of a sculpture featuring a head, sungho bae revives discarded toys creating art.

Sungho Bae Revives Discarded Toys into Eerie, Artful Sculptures in Chicago

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Written by Flynn Matthews

2026-08-18

Bedtime as a child can be a realm of imagination or anxiety. For many, like myself, a beloved stuffed animal serves as an emblem of comfort and protection. In a unique twist on childhood nostalgia, Seoul-born, Chicago-based artist Sungho Bae transforms these comforting symbols into something extraordinary with his inventive approach as “Sungho Bae revives” these plush companions into new creations.

In Bae’s creative process, once-beloved toys from shops and disposal sites are deconstructed and reassembled atop figurative frames. The result is a collection of sculptures and reliefs that mimic the appearance of human anatomy—organs, muscles, and tissues—crafted into vibrant, uncanny artworks. As he breathes new life into these objects, they gain a new lease on life, inviting viewers into a dialog about transformation and repurposing.

Charms of transformation as Sungho Bae revives forgotten toys

Bae’s exhibition “Apotropaia” features works reminiscent of ancient amulets. The term borrows from Greek traditions of objects believed to ward off evil, reflecting humanity’s historical connection to objects and rituals. It provokes reflection on the original value of these forsaken toys and how their meanings transform under Bae’s hand. Here, he brings back the past, endowing these forgotten items with new significance and a contemporary artistic voice.

One prominent piece, “Dansu,” presents a haunting blend of the natural and artificial. It’s a bust with taxidermy eyes and feathered hair, resting on a worn game board. “Dansu” references a pivotal moment in the Korean game of Go, encapsulating the tension of impending capture—a stark metaphor for life’s constant balance between existence and oblivion. The artist revives this tension in his art, each piece displaying a story of rebirth and confrontation between the past and present.

If you enjoy the blend of natural and artificial in art, check out eerie sandpaper paintings that provoke thoughts on creation and destruction.

Mixed media sculpture resembling a head using recycled toys and ritualistic items.
“Head of an Invoker” (2026), stuffed animals salvaged from waste-disposal sites, used shamanic bells, discarded clothing, leather waste, decommissioned ritual objects, apotropaic materials, terracottaclay, epoxy clay, walnut wood, 12.6 × 10.6 × 21.7 inches

The abstract allure of “Gut” series

Bae’s wall series “Gut” takes on an even more abstract form. These works combine various textures and tones, with strands of hair and embedded clay, creating a mesmerizing and mysterious aesthetic that beckons viewers to explore its depth. The series further illustrates how he revives thoughts and feelings through intricate artwork that bridges the gap between reality and imagination.

Intricate sculpture incorporating stuffed animals and various recycled materials.
“Gut I” (2026), stuffed animals salvaged from waste-disposal sites, used shamanic bells, discarded clothing,leather waste, taxidermy glass eyes, decommissioned ritual objects, apotropaic materials, terracotta clay, epoxy clay, 20.7 × 16.9 × 2.4 inches

Intricate, amorphous and resonating with reimagined meaning, Bae’s “Apotropaia” remains on display at the 4th Ward Project Space through September 6. To follow Sungho Bae’s continuing explorations, find him on Instagram.

Close-up view showcasing elements of a recycled toy sculpture, part of 'Gut III'.
Detail of “Gut III”

For more eerie and uncanny art transformations, explore Hsu Tung Han’s digital glitch-inspired sculptures, a fascinating dive into sculptures that mimic computer errors.

Detail of plush materials and leather in the sculpture 'Gut I'.
Detail of “Gut I”
Bird feathers and recycled toys form the sculpture titled 'Dansu'.
“Dansu” (2026), stuffed animals salvaged from waste-disposal sites, leather waste, bird feathers, taxidermy glass eyes, decommissioned ritual objects, apotropaic materials, terracotta clay, epoxy clay, aged solid-wood baduk board, 16.5 × 16.1 × 16.9 inches
Complex sculpture 'Gut III' made of recycled materials and discarded toys.
“Gut III” (2026)
Sculpture 'Dansu' features a combination of recycled toys and natural materials.
“Dansu” (2026), stuffed animals salvaged from waste-disposal sites, leather waste, bird feathers, taxidermy glass eyes, decommissioned ritual objects, apotropaic materials, terracotta clay, epoxy clay, aged solid-wood baduk board, 16.5 × 16.1 × 16.9 inches
Sculpture 'Gut I' combines plush toys, shamanic elements, and recycled materials.
“Gut I” (2026), stuffed animals salvaged from waste-disposal sites, used shamanic bells, discarded clothing,leather waste, taxidermy glass eyes, decommissioned ritual objects, apotropaic materials, terracotta clay, epoxy clay, 20.7 × 16.9 × 2.4 inches
Artistic piece 'Gut II' showcasing a fusion of discarded toys and varied materials.
“Gut II” (2026)

Source: thisiscolossal.com

Frequently asked questions

How does Sungho Bae transform discarded toys?

Sungho Bae deconstructs once-beloved toys from shops and disposal sites and reassembles them atop figurative frames. The result is a collection of sculptures and reliefs that mimic human anatomy, crafted into vibrant and uncanny artworks.

What is the theme of Bae’s exhibition Apotropaia?

Bae’s exhibition ‘Apotropaia’ features works reminiscent of ancient amulets. It borrows from Greek traditions of objects believed to ward off evil, reflecting humanity’s historical connection to objects and rituals, provoking reflection on the original value of forsaken toys.

What is the significance of the piece Dansu?

The piece ‘Dansu’ is a haunting blend of the natural and artificial, featuring taxidermy eyes and feathered hair on a worn game board. It references a pivotal moment in the Korean game of Go, encapsulating the tension of impending capture as a stark metaphor for life’s balance between existence and oblivion.