The Panel in Wolfhouse living room with edible sculptures at wolfhouse, showcasing modernist design and reflective surfaces.

Lang Lang and Xie Peng Transform Philip Johnson’s Historic Wolfhouse with Edible Art and Snap-Button Structures

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Written by Sam Johnson

2026-10-28

Black Pearls edible spheres displayed on mirrored steel installation by Xie Peng.
Black Pearls, edible sculptures by Lang Lang, presented on The Panel, a mirrored stainless steel installation by Xie Peng

On October 10, 2026, Philip Johnson’s 1949 modernist masterpiece, the Wolfhouse in Newburgh, New York, became the stage for “Island on Land – A Landscape in Five States,” a dynamic exhibition by artists Lang Lang and Xie Peng. This site-specific project, which took inspiration from Lang’s 2024 experimental short film of the same title, integrated moving images with ephemeral, consumable art pieces and modular architectural elements throughout the home’s spaces.

Close-up of Black Pearls, edible spheres on reflective surface by Xie Peng.
detail of Black Pearls by Lang Lang, with individually crafted edible spheres arranged across the reflective surface of The Panel by Xie Peng

Aluminum Armatures and Acrylic Stands Link Film Fragments to Space

The inventive installation by No.29 studio, founded by Lang Lang, translated the thematic segments of the film into physical art forms, harmonizing robust industrial materials with ephemeral edible creations. Within the house, “Black Pearls,” chocolate spheres containing grape jelly and jasmine cream, were installed within spiral spherical recesses of “The Panel,” a mirrored stainless-steel tray that reflected the environment as attendees interacted with it. “A Drop Within,” a translucent sphere with a deep-red core, was supported by “The Stands,” an innovative structure of circular acrylic sheets and curved metal joints secured with fashionable snap buttons. These elements exemplified the stunning creations that captivated the audience.

For more creative art installations, discover how PITAKA transformed a Berlin bunker into art using aramid tapestry, offering unique visual experiences.

Red Soil edible sculpture on metal structure, with Hudson River and landscape backdrop.
Red Soil by Lang Lang, an edible landscape sculpture presented on a metal structure, with the Hudson River and surrounding landscape in the background

Ephemeral Edibles Meet the Refinement of Modernist Architecture

Outside on the terrace, overlooking the scenic Hudson River, the installation “Red Soil” juxtaposed edible elements like buckwheat, fig, and chocolate against “The Table,” formed from twin aluminum panels joined by snap fasteners and stabilized by red steel rods. The site-specific exhibition showcased “White Trace,” featuring rice-paper vessels filled with watermelon and perilla syrups, artfully placed in the circular cutouts of “The Partition,” a versatile aluminum screen designed for reconfiguration. In a unique touch, “A Quiet Turn” placed biodegradable door handles directly on the lawn, inviting visitors to explore the estate at their rhythm, engaging with the consumable art while the resilient structures provided a lasting impression as part of these unique installations.

A Drop Within, translucent edible sculpture with deep red center, plays with reflection.
A Drop Within by Lang Lang, a translucent edible sculpture with a deep red center, exploring transparency, reflection, and the relationship between interior and exterior
Close-up of condensation and textures on A Drop Within's translucent surface.
close-up of A Drop Within by Lang Lang, revealing condensation, subtle textures, and reflections across its translucent surface
Xie Peng's sculptural installation extends exhibition outside Wolfhouse against the architecture.
a sculptural installation by Xie Peng positioned against the exterior of Wolfhouse, extending the exhibition into the surrounding architecture
White Trace, delicate edible rice paper vessels suspended on a sculptural structure.
White Trace by Lang Lang, a series of delicate edible rice paper vessels suspended on a sculptural structure, creating a fleeting sensory experience
Detail of Xie Peng's installation exploring geometry and transparency against Wolfhouse.
detail of a sculptural installation by Xie Peng, exploring geometry, transparency, and the relationship between the artwork and the architecture of Wolfhouse
Biodegradable door handles scattered outside Wolfhouse, blending into natural landscape.
A Quiet Turn by Lang Lang, an outdoor installation of biodegradable door handles scattered across the lawn of Wolfhouse, gradually blending into the natural landscape
Visitors at Wolfhouse during Island on Land exhibition by Lang Lang and Xie Peng.
visitors gathering at Wolfhouse during Island on Land: A Landscape in Five States, an exhibition by Lang Lang and Xie Peng, October 10th, 2026
Exterior of Wolfhouse during Island on Land, featuring edible sculptures and installations.
exterior view of Wolfhouse during Island on Land, where moving images, edible sculptures, and spatial installations engaged with the modernist architecture
Lang's film themes translated into physical installations at Wolfhouse.
the project translates themes from Lang’s 2024 short film into physical spatial installations
Image description not provided, caption unavailable, article context needed for details.
The Panel in Wolfhouse living room with edible sculptures at wolfhouse, showcasing modernist design and reflective surfaces.
The Panel installed in the living room of Wolfhouse, a modernist residence designed by Philip Johnson in 1949 | all images ©David Luo

Source: designboom.com

Frequently asked questions

What was the theme of the exhibition at the Wolfhouse?

The theme of the exhibition was ‘Island on Land – A Landscape in Five States,’ which integrated moving images with ephemeral, consumable art pieces and modular architectural elements throughout the home.

What types of materials were used in the art installations?

The installations used robust industrial materials like aluminum armatures, acrylic stands, and mirrored stainless-steel trays alongside ephemeral edible creations such as chocolate spheres with grape jelly and jasmine cream.

How did ‘Red Soil’ juxtapose art elements on the terrace?

The installation ‘Red Soil’ juxtaposed edible elements like buckwheat, fig, and chocolate against ‘The Table,’ formed from twin aluminum panels stabilized by red steel rods.

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