Installation artist Karin van der Molen creates relationships between the artificial and natural through chair-based works that flow out of the windows of aging pores. In her 2015 part Flux, the Dutch artist created among her installations in the Le Rayolet from the botanical garden Domaine du Rayol. The wooden chairs delve right into a flow of shaped logs that connect the work to the neighboring gardens. The piece seems to go from solid to fluid, creating a bridge that she describes”makes us conscious of the difference involving nature and culture.” Molen creates a similar effect ‘A Wave of Nostalgia‘ which she installed in the Museum Lolland-Falster in Pederstrup, Denmark in 2014. You can view a broader range of her installations on her website.






H/T WOMENSART
More in
Sculpture
All Sculpture



More in
Art
All Art



More like this

Ai Weiwei Covers the Columns of Berlin’s Konzerthaus with 14,000 Refugee Life Jackets

Exploring Scale and Geometry in Jim Denevan's Land Art

Installation "Confetti Death" by Typoe

Artist Paints Ghostly Portraits on Layers of Netting

Gaia's Slumber: Sarah Eberle's Visionary Garden Wins Top Prize at RHS Chelsea Flower Show

