Exhibition at Charlottenborg showcasing mindcraft project charlottenborg with diverse sculptural installations in a bright gallery.

Sculptural Dialogues at Charlottenborg: The Mindcraft Project’s Deep Dive into Danish Design

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Written by John Oliver

2026-09-24

The Mindcraft Project, a Danish design initiative curated by Christian + Jade, unveils an intriguing exploration of materials and techniques, showcasing works from ten designers based in Denmark. Set in the historic Charlottenborg Palace in central Copenhagen, the exhibition occupies a fresco-adorned space that elegantly frames the showcased pieces.

Visitors at Charlottenborg Palace during The Mindcraft Project 2026 exhibition.
The Mindcraft Project 2026 is shown at Charlottenborg Palace

An Eclectic Assembly at the Design Showcase

This year’s edition fosters a unique dialogue between established and emerging designers, all united by their dedication to material exploration. Christian Hammer Juhl and Jade Chan aimed to highlight a shared commitment to unique materials and techniques among the participants of the event.

“We targeted a diverse group, aiming to include international voices shaping Danish design,” Chan explained. The result is a fascinating tapestry of creations, ranging from polished finishes to raw forms.

Showcase of works by ten Danish or Denmark-based designers in a gallery.
It shows works by ten Danish or Denmark-based designers

Craft Meets Design in Copenhagen

Despite the global acclaim of Danish design, The Mindcraft Project carves a niche for the less commercial and more experimental. It provides a platform that blurs the lines between craft and design, celebrating this distinct intersection as part of a renowned craft exhibition.

To delve into how Danish design blurs the lines between craft and innovation, explore Mexican Ceramic Heritage in Design, which offers a similar tribute to artisanal craftsmanship.

Freya Dalsjø's delicate woven basket displayed in a minimalistic space.
Freya Dalsjø showed a delicate woven basket

Material Mastery

Freya Dalsjø contributes with her Basket and Match Seat, constructed from woven leather strands. Meanwhile, Sigurd Nils Schelde offers pewter lamps inspired by architectural lighting, adopting an industrial language while maintaining an artistic finesse.

“It was like looking into the belly of the beast,” Schelde described, capturing the dynamic interplay between light and structure at the showcase.

Pewter lamps inspired by light in unfinished buildings, displayed on pedestals.
The light within unfinished buildings inspired these pewter lamps

Raw Beauty

Among those spotlighting raw materiality is Hans Severin Jacobsen. His Untitled sculpture features quartzite and oak, celebrating the dialogue between natural forms and geometric precision. “It’s a man-made geometry imposed on nature,” Jacobsen explains at the exhibition.

For a look at how raw materials can inspire design, read about Amber Cowan’s Transformative Glass Sculptures, which also celebrates unexpected beauty.

Untitled sculpture made from oak and quartzite on a white platform.
The Untitled sculpture was made from oak and quartzite

Designer Daito Takefusa crafts ceramic sculptures reminiscent of stone, utilizing layers and glazes to evoke a sense of archaeological discovery.

“The process resembles archaeology; I never know the final outcome,” Takefusa shares, revealing the thrilling unpredictability of his method.

Daito Takefusa's ceramic sculpture with stone-like appearance on display.
Daito Takefusa’s ceramic sculpture resembles stone

Reimagining Potential

In FOS’s central room divider, we see cast bronze with an organic pattern, juxtaposed with Anton Hendrik Denys’s console and pedestal made from reclaimed stainless steel offcuts. These works reflect innovative re-use and sustainability, forming striking narratives from discarded materials.

“These disregarded pieces found new life, essentially narrating their own development story,” Denys explains, highlighting the ethos of the exhibition.

Pedestal made from superyacht leftover steel in an industrial setting.
Leftover steel from a superyacht was made into a pedestal

Echoes of Nature

Lene Bødker‘s The Well utilizes glass and wax casting, inspired by Roman wells and nature’s restorative power. This piece, alongside Thomas Woltmann‘s ochre-dyed water fountain, amplifies the theme of water and revitalization.

The exhibition concludes with Anna Søgaard’s pagoda-like wooden trays and Nicholas Shurey’s Trio of Stools, bridging sculptural and functional design in the show.

‘The Well’ sculpture prominently displayed, months in the making.
The Well, in front, took months to make

An Invitation to Design Exploration

Benefiting from the lens of renowned photographer Benjamin Lund, The Mindcraft Project 2026 exhibits on materiality at Charlottenborg Palace from 23 to 27 September. This platform powerfully asserts a new dimension to Danish design, focusing on the convergence of craft and design.

Anna Søgaard's box sculptures that resemble a pagoda on exhibit.
Anna Søgaard’s boxes resemble a pagoda
Trio of Stools creatively stacked into a single sculptural formation.
The Trio of Stools were stacked to form a sculpture

Sources & Links

Source: dezeen.com

Frequently asked questions

What is the focus of The Mindcraft Project exhibition?

The Mindcraft Project exhibition focuses on an intriguing exploration of materials and techniques, showcasing works from ten designers based in Denmark.

Where is The Mindcraft Project exhibition held?

The exhibition is set in the historic Charlottenborg Palace in central Copenhagen.

How does The Mindcraft Project approach Danish design?

The Mindcraft Project provides a platform that blurs the lines between craft and design, celebrating this distinct intersection as part of a renowned craft exhibition.

What materials does Hans Severin Jacobsen use in his work?

Hans Severin Jacobsen uses quartzite and oak in his Untitled sculpture, celebrating the dialogue between natural forms and geometric precision.