John Oliver When you think about the artworks of Tristan Pigott, you instantly see a recurring theme: one which conveys people as egotistical and narcissistic. His life-like painted figures pose earlier than a surreal backdrop and playfully mock the significance we place on picture and notion.
Tristan explains: “The summary composition of the work shows the distinction between efficiency and actuality. Alternatively, I illustrate particulars corresponding to garments and hair with realism to emphasize the significance, my sitter, in addition to the viewer, place in their very own picture.
“The figurative fashion of my portray permits me to convey conceptual narratives with immediacy related to the viewer. In a latest portrays, ‘Ready Room’, the identical man is pictured twice in numerous kinds, the appliance of paint turning into looser because the portray recedes. The person holding a cygnet is painted in a practical fashion, while the extra abstractly painted determine holds an iPhone. These motifs, as symbols of worth and tradition in successive eras, accompany the growing brushwork to query the relevance of custom in modern society and throughout the evolution of oil portray.”
The suggestion of motion performs a vital position in Tristan’s work: “It provokes the viewer’s interpretation, versus easy objectification, of the topic inside their environment. Permitting me to develop my curiosity within the cyclical nature of on a regular basis life, a reoccurring theme in my work.
“Day by day actions corresponding to consuming and consuming mirror equally ordinary and automatic psychological traits corresponding to conceitedness and nervousness. These themes are portrayed utilizing private sources, enjoying on individuals’ traits, placing them in surreal narratives and displaying the theatricality of the state of affairs.”
