Delcy Morelos has redefined London’s Barbican Sculpture Court with her monumental installation, “Origo.” Comprising 30 tonnes of soil infused with cinnamon and cloves, this earthwork covers an expansive 24 by 18 meters, towering over three meters high. Morelos hand-built the structure using clay, hay, plant seed, and spices, a process taking more than a month of intensive labor. Open until July 31, 2026, this work renews the unused space with a dynamic fusion of art, aroma, and philosophy.
A Foundation Rooted in History
Born in 1967 in Tierralta, Colombia, Morelos’ art is deeply influenced by her homeland’s history of land struggles and ecological memory. Her early works used red clay pigments to explore themes of violence and territory. This context is deeply embedded in “Origo,” where soil becomes a politically loaded material. It symbolizes a belief that humans are intrinsic parts of the earth, not its owners.
A Break from Tradition
“Origo” marks a departure from Morelos’ typical sharp, angular forms. The installation’s rounded, ovular shape echoes the Barbican’s architectural curves, creating a harmonious dialogue between art and its urban surroundings. This design suggests an ancient, geological presence, seamlessly integrating into its environment and defying typical sculptural formality.
Navigating Through Earth and Space
Within “Origo,” pathways inspired by ancient burial sites invite exploration. Tunnels lead to a central courtyard, each offering a unique experience influenced by time and light. As curator Diego Chocano notes, the installation combines monumentality with intimacy, inviting visitors to move through and become part of the earth rather than merely observers.
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A Multisensory Encounter
The use of cinnamon and cloves is both practical and philosophical. Their antifungal properties help preserve the soil, while their scent engages visitors on a sensory level beyond visual interaction. This approach highlights the intelligence inherent in ancestral knowledge and elicits emotional responses, fostering a profound connection to the material, described as the “mother of all materials.”
Interplay with Brutalism
The dialogue with Brutalism, particularly the Barbican’s architecture, forms a cornerstone of the project. Designed by Chamberlin, Powell and Bon, the Barbican emphasizes communal living and cultural integration. “Origo” continues this dialogue by juxtaposing the rigid concrete with the dynamic, earthy medium, illustrating our physical and metaphysical ties to the earth.
A Floating Monument
Morelos expertly manipulates form with a shadow gap at the installation’s base, creating the illusion of a floating sculpture. This careful detailing emphasizes temporary impermanence, underscoring the transient nature of the earth within this urban landscape.
The Craft of Creation
The scale and dedication involved in creating “Origo” is noteworthy. Over 30 tonnes of material were applied manually over weeks, showcasing the value of tactile, handcrafted artistry. This commitment emphasizes the significance of labor and material in an era dominated by digital and industrial methodologies.
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Redefining Community
In positioning “Origo,” Morelos challenges perceived barriers of community. Beyond human interaction, this work encompasses microbes and seeds, integrating natural processes into a communal urban experience. The installation at the Barbican encourages a more inclusive understanding of community that extends beyond humanity.
“Origo” by Delcy Morelos | Location: Barbican Sculpture Court, Silk Street, London EC2Y 8DS | Dates: 15 May – 31 July 2026.
Source: urdesignmag.com