Do Ho Suh’s expansive solo “exhibition” at the National Museum of Modern and Contemporary Art, Korea (MMCA) in Seoul showcases over 500 works exploring four decades. Enjoy sculptures, videos, drawings, and installations that delve into themes of home, memory, migration, and identity. Running until February 9, 2027, the “exhibition” presents his artistic evolution, from initial experiments to monumental fabric reconstructions that reflect on personal experiences of relocation.

From Childhood Dreams to Creative Legacy
The “Seed Bank” section greets visitors with a nostalgic retrospective of Suh’s childhood creations, including wooden sea creatures from his family hanok’s yard. Accompanied by formative university projects, these pieces hint at Suh’s early fascination with the intersection of objects and space, long before his famed fabric architectures. His small-scale works already explored spatial dynamics, foreshadowing his enduring preoccupation with structures and boundaries, covering four decades of artistic exploration.
For those interested in how artists turn everyday objects into art, explore how Roberto Giacomucci merges chemistry with sculpture for a unique perspective on creativity.

Four Decades of Capturing Homes Before They Vanish
In Gallery 4, Suh’s “Rubbing/Loving” series transforms architectural impressions into heartfelt memories. Using Hanji and colored pencils, Suh imprints the traces of imperiled buildings onto paper, merging physical and emotional connections with fleeting spaces. The poignant “Rubbing/Loving: Seoul Home” intertwines personal and familial history, while the collective work at Gwangju Theater captures a vanishing communal heritage. The exhibition illustrates many years of such creative endeavors.

Architecture as Personal Narrative
Gallery 5 illuminates Suh’s dialogue with domestic space through works like “Perfect Home,” a tapestry of his international residences. This diverse architectural tapestry includes door handles and light switches from multiple cities, creating a mosaic of past homes. “The Bridge Project,” an ongoing experiment since 1999, symbolically links major urban centers, expanding Suh’s exploration from personal dwelling spaces to global interconnectedness, tracing his extensive career.

A Boundless Cityscape
Outside Gallery 5, “Nest/s” presents a breathtaking, 22-meter-long installation. This continuous sequence of remembered spaces blurs geographical boundaries, forming an imaginative and immersive architectural journey. Viewers traverse this hybrid environment, reconnecting physical memories of homes from Seoul to Berlin into a shared experiential landscape that extends decades of nostalgia and innovation.
Suh’s work might remind you of the emotional stories shared in art dedicated to Ukraine, fusing personal and collective narratives through art.

Uniting Body and Home
Within the MMCA Studio, explore miniatures of Suh’s larger installations alongside intimate pieces focused on family. “Memory of Love,” introduced here, is where pockets cut from family clothing are attached to the inside of Suh’s own coat, turning clothing into a cherished enclosure that travels with the body, metaphorically embodying Suh’s exploration of home and identity. This piece is another significant part of his ongoing artistic journey.






Sources & Links
Source: designboom.com
Frequently asked questions
What is featured in Do Ho Suh’s MMCA exhibition?
The exhibition at the National Museum of Modern and Contemporary Art, Korea (MMCA) in Seoul showcases over 500 works by Do Ho Suh, including sculptures, videos, drawings, and installations. These works explore themes of home, memory, migration, and identity, reflecting Suh’s artistic evolution over four decades.
How long will the exhibition at MMCA Seoul run?
The exhibition at the MMCA in Seoul will run until February 9, 2027.
What is the significance of the ‘Rubbing/Loving’ series?
The ‘Rubbing/Loving’ series transforms architectural impressions into heartfelt memories using Hanji and colored pencils. It merges physical and emotional connections with fleeting spaces, illustrating many years of Suh’s creative endeavors.
