Using ballpoint pen on found texts, artist Habib Hajallie explores themes of memory, connection, and loss. Based in Kent, Hajallie’s work often highlights Black cultural figures and family, while reflecting on his British, Sierra Leonean, and Lebanese heritage. His current solo exhibition, “Black & Blue” at Larkin Durey, addresses the stillbirth of his daughter, capturing “indescribable emotions” as noted by the gallery.
Artistic transition and personal reflection
In “Black & Blue,” Hajallie shifts from black to blue ink, drawing on antique maps and philosophical texts. His pieces reflect on the loss of his sister four years ago, depicting emotions like despair, confusion, and hope through self-portraits and other figures. These artworks offer a perspective on an “altered sense of self,” according to the gallery, similar to how Kathrin Marchenko uses textiles to convey depth in art.
Healing through art
The series investigates the process of enduring loss and healing, with each drawing serving as a step toward recovery. By working directly on antique texts about morality and purpose, Hajallie’s art engages in a broader dialogue about meaning, providing solace and catharsis, the gallery comments, much like the pieces in Michael Velliquette’s sculpted paper works that explore light and consciousness.
“Black & Blue” will be on display in London until May 22. Further insights into Hajallie’s work can be found on his Instagram.
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