Buildings enveloped by tree branches, surreal landscape, acrylic painting.

Amy Casey’s Acrylic Narratives: Cleveland’s Whirling Buildings Face an Apocalyptic Transformation

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Written by Seth Sebastian

2026-06-28

Whirls of Uncertainty: Houses in Mid-Air

Amy Casey’s intricate acrylic paintings captivate you with houses spiraling through the air alongside flying debris. These scenes challenge your perception: are these homes diminutive, or are their surroundings immense? This tension anchors Casey’s work, reflecting a world drowned in information and besieged by issues like politics, war, and climate change. “It’s hard to process everything without feeling powerless,” she explains. “Sometimes life just feels like a neverending shriek.”

Her meticulous artworks range from six inches to several feet, often depicting familiar Cleveland structures. Catapulting through mind-bending spaces, these buildings shed pieces of themselves. “The world seems stranger every day,” Casey notes. “Painting it literally falling apart helps me navigate life daily. Imagining towns in worse-case scenarios acknowledges reality but also offers hope for change.”

Nature’s Grip: Houses on Fungi and Trees

Recently, Casey has gravitated towards nature, coupling houses with surreal landscapes of delicate mushrooms and massive tree stumps. Though decay is present, there’s also a sense of renewal. Her paintings illustrate homes that have spun from chaos into new lands, symbolic of resilience despite adversity. “How does one live atop an oyster mushroom?” she provocatively asks.

Compact buildings supported by protruding crowd, surreal structure.
“Crowd Support” (2024), acrylic on panel, 6 x 6 inches

Explore how Julian Baumgartner’s Chicago studio revives damaged artworks, a process resonating with Amy Casey’s themes of renewal.

Casey adds, “We’ve all felt the world turn upside down, trying to regain our footing amidst unsettling change. These paintings reflect that experience, capturing survival and resilience in turbulent times.” Despite appearing whimsical, these aren’t mere fantasy settings. They are tough remnants of a world poised on the edge.

Discover the detailed abstraction in Andrew McIntosh’s worlds of fire and shadow, where narrative tension mirrors Casey’s apocalyptic themes.

Her work is now featured in a group exhibition at the Brassworks Gallery in Portland until June 6, and at Zg Gallery in Chicago. She’s preparing for an upcoming show at Maria Neil Art Project in Cleveland this September. Stay updated through her Instagram.

Enclosed buildings yearning to escape, dynamic movement in artwork.
“Yearning” (2025), acrylic on panel, 6 x 6 inches
Buildings fragmenting, elevated and suspended, conveying breakup theme.
“Break Up” (2025), acrylic on panel, 10 x 10 inches
Tangled clusters of urban structures, expansive canvas displaying chaos.
“Avast Amass” (2025), acrylic on paper, 50 x 60 inches
Buildings on stilts roving across barren landscape, acrylic painting.
“Perambulating” (2025), acrylic on panel, 24 x 24 inches
Brightly lit buildings intertwined, glowing under surreal skies.
“Effulgent” (2025), acrylic on panel, 6 x 6 inches
Buildings balancing precariously on tree limbs, whimsical setting.
“On a Limb” (2024), acrylic on panel, 6 x 6 inches
Radiant buildings against dark sky, evoking illumination and contrast.
“Luminant” (2024), acrylic on panel, 6 x 6 inches

Source: thisiscolossal.com