
A photographer spent two years dreaming of capturing the celestial event in a breathtaking composite image of the total solar eclipse, realized in Spain last summer. The pinnacle of her artistry, The Shadow Between, is a seamless blend of multiple panoramas captured from Pico Gilbo in Riaño, a location meticulously scouted for its alignment with the path of totality.

Fux dedicated an estimated 15 hours to perfecting the image using photo-editing software. Her ambitious work not only chronicles the eclipse but also portrays the majestic transition from daylight to starlit night. This dazzling effect, however, demanded unprecedented complexity.
Writing on her website, Fux reveals her challenging journey to the mountain summit and how she executed this bold project. Using a Nikon Z8 with a 400mm lens, Fux documented the eclipse while another setup captured the expansive environment. “We were also filming the eclipse at 600mm,” she notes, highlighting her collaboration with filmmaker Prince Berkoh. Together, they crafted a film with Nikon, reflecting on the phenomenon and humanity’s cosmic connection.
For more on stunning photographic captures, explore how Venus’s disappearance behind the crescent moon celebrated a stellar event in September 2026.
Aside from this remarkable event, Fux’s seven panoramas encapsulate the evening’s unfolding beauty, capturing the pristine vista under both daylight and night skies. The images beautifully coincide with the Perseid meteor shower, highlighting shooting stars and luminous galaxies, adding to the celestial phenomena of the event.
The Daring Post-Processing Strategy of the Spanish Peaks Solar Eclipse
After collecting her data, Fux faced a complex editing task. She initially planned to stack and align the panels in Photoshop and PTGui but faced unexpected challenges.
Fux then attempted an unconventional method: stitching each panorama separately before combining them, but this too proved problematic due to inconsistencies in projection and alignment.
She embraced an innovative approach, blending panels from diverse times of day. “The panorama software was stitching photographs with vastly different colors and lighting,” she explains. Surprisingly, it worked, providing a basis for detailed Photoshop masking. Her goal was to merge distinct moments into a unified, fluid image without discernible divisions.
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The result is an evocative testament to Fux’s vision, available as a limited edition print from her website. More of her work, including solar eclipse photography, can be explored on her website and Instagram.




Sources & Links
Source: petapixel.com
Frequently asked questions
Who collaborated with Angel Fux on the film?
Angel Fux collaborated with filmmaker Prince Berkoh to craft a film reflecting on the eclipse phenomenon and humanity’s cosmic connection.
What camera equipment did Angel Fux use for the eclipse?
Angel Fux used a Nikon Z8 with a 400mm lens to document the eclipse, while another setup captured the expansive environment. Additionally, they were also filming the eclipse at 600mm.
What challenges did Fux face during post-processing?
Fux faced complexity in her editing task when she planned to stack and align panels in Photoshop and PTGui but encountered unexpected challenges. She tried stitching each panorama separately before combining them but faced issues due to inconsistencies in projection and alignment.
