Visitors observing diverse artworks from different cultures at The Met's exhibition.

Voices of The Met: 29 Experts Illuminate Global Art Through 100 Unique Perspectives

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Written by Flynn Matthews

2026-07-07

Connecting art with the viewer’s world

The Metropolitan Museum of Art’s latest publication, Points of View: 100 Connections to Art, is a captivating exploration of its vast collection. Edited by The Met‘s CEO, Max Hollein, the book compiles insightful essays from the museum’s diverse staff, focusing on artworks across five themes: “Relationships,” “Self,” “Politics,” “Spirituality,” and “Environment.”

Riza-yi 'Abbasi's “The Lovers” displayed at the Points of View exhibition.
Riza-yi ‘Abbasi’s “The Lovers” (1630 CE) in Points of View: 100 Connections to Art (image courtesy The Met)

An exploration of human connections

Opening with “Relationships,” the book delves into artworks like Greek funerary vessels and Renaissance portraits. Joan Mitchell’s piece “La Vie en Rose” and its connection to Fleetwood Mac’s “Silver Springs” illustrates unexpected links between art and music. Laura Corey noted the personal nature of these insights, reflecting on the multifaceted roles objects play in our lives, both past and present.

Explore further into unique artistic perspectives with Maskull Lasserre’s piano art which reimagines musical instruments as creative canvases.

Diverse interpretations and themes

In “Self,” Chris Alessandrini analyzes Leonora Carrington’s “Self-Portrait,” presenting her as both regal and plain. The “Politics” section reveals power dynamics in works like an Incan tunic, while “Spirituality” examines divine representation, such as a 14th-century Chinese incense box. The final chapter, “Environment,” considers humanity’s ties to nature.

Portraits juxtaposed: Renaissance art next to modern Crow delegation piece.
Left: Fra Filippo Lippi, “Portrait of a Woman with a Man at a Casement” (c. 1440) (image public domain via The Met); right: Wendy Red Star, “Déaxitchish / Pretty Eagle from 1880 Crow Peace Delegation” (2014) (© the artist; image courtesy The Met)

Interdisciplinary insights

Portraits by Fra Filippo Lippi and Wendy Red Star showcased side by side.
Left: Fra Filippo Lippi, “Portrait of a Woman with a Man at a Casement” (c. 1440) (image public domain via The Met); right: Wendy Red Star, “Déaxitchish / Pretty Eagle from 1880 Crow Peace Delegation” (2014) (© the artist; image courtesy The Met)

The contributors to Points of View often cross their areas of expertise, generating fresh perspectives. For example, European painting curators reflect on Mesopotamian sculptures, and Islamic art researchers examine GermanAustrian busts. Laura Corey revisits “Portrait of a German Officer” by Marsden Hartley, viewing it as a message of queer love.

Boris Mikhailov's photo of a May Day Parade displayed in The Met's exhibit.
Boris Mikhailov, “[May Day Parade]” (1975, printed 1986) (© the artist; image courtesy The Met)

Timeless and varied works

The book covers a range of works, from the iconic “Temple of Dendur” to Isamu Noguchi’s “Radio Nurse.” Essays illuminate diverse pieces like “[May Day Parade]” and “The Lovers.” Andrea Myers Achi highlights Tavares Strachan’s “ENOCH” as an exploration of memory and absence, connecting it to Ancient Egyptian sculpture.

For an insightful look at art’s connection to the natural world, see Debra Bernier’s driftwood sculptures that echo themes of environmental ties.

Through essays that offer new perspectives, the publication encourages readers to find their own connections within these timeless works, fostering a deeper understanding of the past and present.

Sources & Links

Source: hyperallergic.com

Frequently asked questions

What themes does the book “Points of View” cover?

The book covers five themes: ‘Relationships,’ ‘Self,’ ‘Politics,’ ‘Spirituality,’ and ‘Environment.’

Who is the editor of “Points of View”?

The editor of “Points of View” is The Met’s CEO, Max Hollein.

What unique perspective is offered on Marsden Hartley’s work?

Laura Corey revisits ‘Portrait of a German Officer’ by Marsden Hartley, viewing it as a message of queer love.