Faya Sanders 
In his latest photograph collection, “Viennametry,” Hungarian photographer Zsolt Hlinka catches the unexplored voids at Vienna‘s patchwork of a historical and contemporary structure. After studying the symmetrical corner buildings of grandiose Budapest, Hlinka has proceeded north to Austria on his own search to find geometry and symmetry in the urban landscape.
Unlike Hlinkas past projects, “Viennametry,” follows the growth of architecture inside the city. By placing the modern against its conventional counterpart, the similarities or obvious differences display the development of Vienna’s architecture over the eras. “These kinds are manufactured by building on their own predecessors, respecting or even breaking traditions, which means they cannot be separated from each other,” he explains.
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