The photographer describes:
“The 100-year-old houses are simply reinterpreted by the chosen perspective, changing our normal spatial perception.
“Looking at the accurately constructed, central photographs, it feels like the buildings are tunnels driving to the infinity of the sky – and this is where time appears as if the floors leading to infinity represents time and the age of the buildings.”
Hlinka is influenced by an urban mood and evening light. “I am looking for geometry and symmetry obsessively in each composition. When I take a photo, I exclude all other circumstances and focus only on the picture to be prepared. I collect moments.”