A golden serpent sculpture spans a viaduct under a hotel, visible as a thin line.

Golden Serpent Sculpture Winds Through NYC’s High Line, Defying Gravity with Air

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Written by Seth Sebastian

2026-09-19

Athens– and Berlin-based art duo “Plastique Fantastique” has brought “auruBOROS,” a 98-foot golden serpent sculpture, to the High Line in New York City. Commissioned by Bvlgari as part of its Serpenti Infinito series, this is the brand’s first public art piece in the United States. The installation, mimicking the grandeur of solid gold yet upheld by air, is a testament to the duo’s architectural ingenuity.

The Vision Behind the Golden Serpent Sculpture

Marco Canevacci and Yena Young, the creative minds behind Plastique Fantastique, have been creating inflatable art installations since 1999, using air and plastic film as their primary materials. Their portfolio includes wrapping a Paris footbridge with a giant inflatable ring and transforming Venice Pavilion during the 2019 Biennale. Now, with auruBOROS, they debut their first public artwork in the United States.

Passers-by see fragmented reflections of the golden serpent sculpture, sharing the experience with others.
Each passer-by catches only a fragment of the reflection and shares it with whoever stands alongside, the kind of encounter the artists call Public Love

The piece combines “aurum,” Latin for gold, and “ouroboros,” the ancient symbol of a serpent devouring its own tail. The artists open this symbolic circle, allowing it to meander through the urban landscape of Manhattan’s Meatpacking District. As the artists stated, this installation breaks away from simply enlarging known symbols, seeking instead profound interaction with its environment.

Golden serpent sculpture positioned between an old railway structure and a modern hotel.
Seen from the Meatpacking District street grid, the serpent sits between the old railway structure and the hotel above it, threading the site’s horizontal and vertical layers

Extending from The Standard Hotel through the elevated greenway of the High Line, the installation invites visitors to stroll alongside its shimmering, coiled form. Unlike traditional sculptures, auruBOROS integrates vertically and horizontally with the surroundings, seamlessly blending into the park’s atmosphere.

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The golden serpent's color changes to copper under the shifting afternoon light.
The finish has no fixed color: it shifts with sunlight, weather and the hour, and late-afternoon light pushes the gold toward copper

The structure is composed of golden mirrored TPU and ventilators, measuring 30 × 10 × 10 meters. This reflective surface absorbs its dynamic environment, capturing everything from the shifting weather to passers-by. The alchemical transformation implied by its golden hue underscores its ephemeral nature.

Sculpture's lightweight form maintained by pressurized skin and ventilators, appearing metallic.
What looks like cast metal is a pressurized skin kept in shape by ventilators, which is why a sculpture of this size weighs almost nothing

Air is the essential component of this work’s existence. Its Greek nomenclature, pneuma, encapsulates the essence of breath and spirit. Despite its monumental appearance, this installation remains light and transient, embodying fragility amid perceived permanence.

The serpent's body extends from the hotel into the park, breaking ouroboros symbolism.
The artists opened the closed circle of the ouroboros, so the serpent’s body leaves the hotel and enters the park instead of biting its own tail

The High Line, a reclaimed freight line, serves as an ideal setting. Known for hosting public art, it now features auruBOROS, which resonates with its theme of Urban Memory and Collective Dream. On view from September 10 to 20, 2026, this installation follows other international iterations of Bvlgari Serpenti Infinito.

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Gold surface of the serpent represents transformation, influenced by alchemical traditions.
Drawing on alchemical tradition, the duo treats the gold surface as a material of transformation rather than of value

This touring series began in Shanghai and has traveled through Seoul and Mumbai, each location testing the adaptability of the serpent emblem. Unlike static jewelry forms, the soft, inflatable medium of Plastique Fantastique adapts to change, adding another layer of complexity and engagement.

Close-up shows the sculpture is a segmented film, not actual gold, on High Line display.
Up close, the segmented film gives away the trick: there is no gold anywhere, only a membrane on view for eleven days on the High Line

Visitors never see a complete image in the sculpture’s curved mirrors. Instead, a fragmented reflection—and the shared experience of those around them—creates a communal yet unique encounter. Plastique Fantastique coins this as Public Love. When the installation concludes, what remains is the shared memory of fleeting reflections and connections.

Source: urdesignmag.com

Frequently asked questions

Who created the auruBOROS sculpture?

The sculpture auruBOROS was created by the art duo Plastique Fantastique, consisting of Marco Canevacci and Yena Young.

Where is the auruBOROS sculpture located?

The auruBOROS sculpture is located on the High Line in New York City’s Meatpacking District.

What materials are used in the auruBOROS sculpture?

The auruBOROS sculpture is composed of golden mirrored TPU and ventilators, highlighting its reflective surface and dynamic interaction with the environment.