The vibrant world of European discotheques comes to life through the lens of photographer Giovanna Silva, whose book delves into the architectural and sensory experiences of clubs from the 1960s to today. Initiated by a commission from Monditalia for the 2014 Venice Architecture Biennale, Silva’s exploration of Italian nightlife evolved into an engaging narrative now shared through “NIGHTSWIMMING” — offering a unique perspective on club culture. The project provides an insightful look into the disco era.

Bringing the Night to Light with Her Discotheque Experiences
Silva began her journey by immersing herself in the history of discotheques, utilizing existing literature to understand the architectural evolution shaped by changing music and technology. In her quest, she connected with architects, critics, DJs, art directors, and club owners — the “night swimmers” — to navigate this dynamic world of these venues.
From Italy, her gaze expanded to capture the essence of nightlife in Berlin, London, Paris, and Barcelona. Selecting clubs for their architectural and cultural significance, Silva photographed venues that reflect the diverse moods of the night, transforming everyday spaces into spectacular party locales reminiscent of 1990s raves. The focus underscores the complexity and allure of European nightlife and discotheque architecture.
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A Sensory Exploration of Nightclubs
Silva’s work transcends visual imagery, capturing the essence of nightclubs’ sensual dimensions. The distinct smell of each venue, often encountered during daytime visits, intrigues her — a potent mix of human interaction, smoke, and detergent that she describes as a universal constant in her exploration.
The transformative power of lighting is another focal point of Silva’s photography. Comparing discotheques to dignified divas needing their makeup, she highlights how light dramatically alters perceptions of space. Some images shot in stark white light reveal the venues’ raw, unfettered architecture, contrasting with their vibrant, nocturnal personas. This unique approach is consistently reflected in her series.




A Personal Journey
Born in 1980, Giovanna Silva resides in Milan, having established herself as a noted photographer and editor. Her impressive body of work spans publications like “Days without Number” and “Afghanistan: 0 Rh-”. She also founded Humboldt Books and San Rocco Magazine, contributing meaningfully to art and culture narratives, much like she does with her exploration of nightclubs.

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Her project “NIGHTSWIMMING,” a highlight at the Venice Architectural Biennale, has graced exhibitions in Rome, Venice, and Milan. Through documenting the ever-evolving landscape of nightlife, Silva captures not just spaces but the fleeting, mesmerizing emotions they evoke as part of her initiative.

The exploration continues as part of designboom’s chapter on spectacle and amazement, in collaboration with SolidNature. This series examines how design influences perception and invites viewers into its kaleidoscopic world.



Source: designboom.com
Frequently asked questions
What does Giovanna Silva’s book explore?
Giovanna Silva’s book explores the architectural and sensory experiences of European discotheques from the 1960s to today. It offers a unique perspective on club culture, capturing the essence of nightlife in various cities.
How did Giovanna Silva start her nightclub exploration?
Giovanna Silva initiated her nightclub exploration with a commission from Monditalia for the 2014 Venice Architecture Biennale, which evolved into a more extensive narrative now shared through her book ‘NIGHTSWIMMING’.
What does Silva highlight about discotheque lighting?
Silva highlights the transformative power of lighting in discotheques, comparing them to dignified divas needing their makeup. She notes how lighting can dramatically alter perceptions of space, contrasting the raw architecture in daylight with their vibrant nighttime transformations.
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