A Compact Showcase of Brazilian Modernist Design
(CYRO)Arquitetura’s debut at (CYRO)Arquitetura CASACOR São Paulo stands out not for what it removes, but for what it cleverly compacts into its 50-square-meter studio. Dubbed “Ruído Branco,” the installation transforms space into a working index of Brazilian design within a historic building in Parque da Água Branca. The project beautifully incorporates elements of this influential modernist movement, emphasizing both functionality and aesthetic appeal.
A Celebration of Building Heritage
The studio retains the charm of original peroba wood parquet flooring and window frames. These features echo the building’s age while white walls are painted to maximize light, providing a serene backdrop. A circular ceiling cut highlights original roof trusses, a testament to the building’s craftsmanship.
Innovative Use of Space in Design
Bourbon walnut joinery structures replace traditional walls, neatly separating the social and private spheres. Within these volumes, functionality is key — they house closets, a pantry, and a niche for a record player. This layout reflects the principles of the movement, which often focuses on both utility and elegance.
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Kitchen Design Meets Art
A suspended stainless-steel counter doubles as a sideboard with bronzite quartzite offering a bar. Above, Le Corbusier’s 1949 Lampe de Marseille lights the scene. A blunt concrete sculpture by Lucas Simões adds an artistic counterbalance.
Blending Old With New Through Design
The dining area features the Encaixe table by Guilherme Wentz, surrounded by Veadeiros chairs. It opens to views of historic trees, resonating with Cyro Neto’s description of a project built to slow the body down room by room rather than announce itself in any single gesture. This thoughtful integration is a hallmark of the modernist approach.
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An Archive of Modernism
The living area seamlessly merges Brazilian modernist furniture with contemporary pieces. Highlights include a Fita sofa, a Prisma side table by Bettina Heuer, and the significant limited-edition textile by Virgínia Artigas, grounding the space in a rich historical context that speaks to the enduring influence of this design legacy.
An Artistic Tribute
A striking diagonal masonry wall features a hand-painted ceramic mural by Rômulo Lass. This domestically scaled intervention is a homage to muralist traditions, enriching the apartment’s private wing with vibrant artistry.
Functional Elegance
A hammered-glass partition and workstation feature a Curva chair by Joaquim Tenreiro. In the bathroom, innovative design choices continue with a suspended countertop and circular wall cutouts that replace traditional mirrors, adhering to the creative tenets of this movement.
Tying Design with Identity
Cyro Neto, an integral figure in São Paulo’s interior design scene and a graduate of FAU Mackenzie, anchors the project in identity, timelessness, and functionality. His vision aligns with recent installations that celebrate Brazilian architectural heritage, with a strong foundation in modernist design principles.
Ruído Branco offers a densely curated whirlwind of celebrated design names within its confines, leaving a lasting impression through its quiet yet profound celebration of space and history, firmly rooted in the movement’s principles.
Sources & Links
Source: urdesignmag.com
Frequently asked questions
What is the focus of the Ruído Branco installation?
The Ruído Branco installation transforms space into a working index of Brazilian design, cleverly compacting elements of the modernist movement within a 50-square-meter studio. It emphasizes both functionality and aesthetic appeal, showcasing Brazilian modernist design principles.
How does the installation highlight the building’s heritage?
The installation retains original features like peroba wood parquet flooring and window frames, which echo the building’s age. A circular ceiling cut also highlights the original roof trusses, showcasing the building’s craftsmanship and historical charm.
What are some design elements used in the kitchen area?
The kitchen area features a suspended stainless-steel counter that doubles as a sideboard, accompanied by bronzite quartzite offering a bar. Le Corbusier’s 1949 Lampe de Marseille is used for lighting, and a concrete sculpture by Lucas Simões adds an artistic counterbalance.